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We really want to go out on our honeymoon: Kalki

New Delhi, June 9 (IANS) They had a quiet wedding and immediately plunged into work! The newly wedded couple - filmmaker Anurag Kashyap and actress Kalki Koechlin - hope to spend quality time...
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Imran, Aamir together on screen for the first time

By Subhash K. Jha Mumbai, June 9 (IANS) The latest trailer of "Delhi Belly", to come out July 19, will bring together Aamir and Imran Khan for the first time in a mock-argument over the colourful...
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Bike skids, sexy Sam takes a fall!

By Hindustan Times Mumbai, June 9 -- Sameera Reddy has just returned from Scotland where she was filming the action thriller, Tezz and is all shaken up, literally. The actor was doing a stunt in...
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Vinay takes on government!

By Hindustan Times Mumbai, June 9 -- I was just about to go for my bubble bath when a mail dropped into my kaaliberry inbox. Turns out to be my parinda from Andheri's Lokhandwala Complex, eager to...
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Aftab's knock in vain

By Hindustan Times Mumbai, June 9 -- Contrary to his usual pattern of disappearing after giving his todu khabar of the day, Sher Lock bhai now wants me to hear about Aftab Shivdasani. Of all...
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Salman: Not so sporting

By Hindustan Times Mumbai, June 9 -- Howdee doo hoo my darling dim sums! I was so beginning to enjoy the rains over the last few days, but the sun shining bright and hot, is playing truant again....
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SRK calls truce with Farah Khan

By Hindustan Times Mumbai, June 9 -- Shah Rukh Khan has finally ended his animosity towards director-choreographer Farah Khan. At a public event, the actor complimented her, saying, "It is one of...
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Kangna-Mallika New best friends?

By Hindustan Times Mumbai, June 8 -- Arrey yaar! I have to tell my dhobi that I'm tired of listening to these stories about two lady actors being friends in the eyes of the press but not seeing...
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Preity wants to educate!

By Hindustan Times Mumbai, June 8 -- Aha! The first good news of the day is here. Sher Lock wants to tell me that Preity Zinta, my favourite girl with dimples, is working towards educating kids...
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Sonam-Shahid: Mutual admiration society

By Hindustan Times Mumbai, June 8 -- Zzzzzzzzzzzzzzzzzzzzzz... this is what happens to me when someone tries to tell me that two colleagues, who've been linked to each other, only admire each...
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"Of my three films so far Delhi 6 is the most complicated" - Rakeysh Mehra
Rakeysh Mehra speaks about why he had to shift Chandni Chowk To Jaipur and more about Delhi 6. You've shot Chandni Chowk in Jaipur? Yes. Delhi 6 is set in the walled city of Delhi. But we shot most of it in Sambar. We took over the entire town and recreated old Delhi there. To shoot on location in Chandni Chowk is not impossible. You can do so for a couple of days. But if you do it for prolonged periods you'll end up disrupting normal life. The locals won't mind. But Chandni Chowk is very congested. You wouldn't want to stop their lives. We did shoot on location but then we shifted to a fantastic town called Sambar which is 2 ½ hours away from Jaipur. Though it's deserted town the ancestral homes of the people who lived there. They served our purpose beautifully. Chandni Chowk is also pivotal to Nikhil Advani's Chandni Chowk To China? What's with this fascination with Delhi? That's because it's one of the oldest cities of the world. It's a microcosm of India. It embodies the spirit of older cities like Jaipur, Hyderabad, Amritsar and Patna. For me there's no native village. Only Chandni Chowk. It has taken me two other films to get back to my roots in Delhi 6. This would've been my first film. But I'm glad I made the other ones. I learnt so much during Aks and Rang De Basanti. Today I know a bit more about cinema than I did earlier. How closely did you recreate Chandni Chowk in Sambar? Chandni Chowk is a metaphor for a way of life. So we shot in Chandni Chowk. The rest of Old Delhi we built in Sambar. Sadly we had to dismantle our 'Old Delhi' in Sambar after shooting. Heartbreaking? Absolutely. But we filmmakers are gypsies. We build dreams, and move on. I even tried to buy one of the houses, the one that Waheeda Rehmanj's character occupies in the film. I got really attached to that house. But the owners were too attached to it to part with it. Waheedaji is a favourite, isn't it? Oh, no ways two ways about it. I had threatened to build my set in front of her house in Mumbai and shoot the whole film there.I must have done something good in my previous life to get to work with her in two films. I also got to work with extraordinary actors like Pavan Malhotra, Divya Dutta (what a firepower she is!) , Supriya Pathakji Abhishek and Sonam for the first time. And Rishi Kapoor? He's.....I don't have the words for him. He's so fabulous and complete. You wonder how he does it. These wonderful actors are the heart and soul of the film. I'll cherish the experience forever. There was so much give-and-take on location. We were all neighbours. We not only worked together we went out for morning walks and cycling, cooking and eating together. Must be heartbreaking when it ends? Not really. Bonds strengthen after the shooting. I'm still in touch with my crew and cast in Aks and Rang De Basanti. We can't celebrate Diwali and Holi unless we're together. We're all there for one another. How important is the background score for a film? It can take an ordinary scene and make is extraordinary. On the other hand it can kill an extraordinary scene. But the background music doesn't end my post-production work. Somehow a film always gets snatched away before it is ready. There's so much A R Rahman wants to do for Delhi 6. But the film will go out of his hands. How satisfying has Delhi 6 been? Of my three films so far this has been the most challenging. It's a difficult subject and a rough journey. Delhi 6 works on the conscious and subconscious level. I still haven't completed the journey. Rang De Basanti is an impossible act to encore? It's a fact about my career that I can't escape. It's part of my growth as a filmmaker. It shifted emotions within me. Luckily for me there're no similarities between Rang De Basanti and Delhi 6. Delhi 6 is your most autobiographical film? I spent quite a bit of my growing-up years in Chandni Chowk. In Rang De Basanti I drew experiences from my college days. In Delhi 6 I've drawn from my childhood. As you grow older you reflexively gravitate towards your roots. But it's a very contemporary story. The ambience, adventures, tastes and smells from my childhood You put the design for your title-logo to public vote? Yes, we had several designs for the Delhi 6 logo. We had nine options. We threw it open to the public. We put it on our Delhi 6 website, Orkut, etc. Over a thousand responded and chose the two logos that I liked the best. Delhi 6 is a people's film. The year 2009 is a period of turmoil for our cinema? But it's also a period of variety. It's interesting to see such diverse films coming out. I'm reminded of the 1950s when V Shantaram, Guru Dutt, Bimal Roy, Chetan Anand, Vijay Anand and Dev Anand Saab were all doing their own thing. They never needed to encroach on one another territory. The masters from the 1950s have shown us the way. We can't pretend to be lost. Post 26/11 will audiences find Delhi 6 entertaining? The genre is comedy-romance-social drama. Our job is to tell a story. But you've to draw audiences into the story. Entertainment is often confused with momentary pleasure. Cinematic entertainment is far deeper.
 
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