Just endure week, Vashu Bhagnani showcased his son Jackky Bhagnani's acting abilities in KAL KISSNE DEKHA. This week, addition ancestor - Arvind Patel - attempts to advertise his babe Gayatri Patel's dancing abilities in LET'S DANCE, directed by Aarif Sheikh. Come to anticipate of it, such barrage pads generally act as a showreel for furthering the career in Bollywood.
In that respect, LET'S DANCE succeeds... to an extent.
But there's a hitch! The blur bears an astonishing affinity to Ramgopal Varma's badly agreeable RANGEELA and Yash Raj's absolutely forgettable AAJA NACHLE. No issues if LET'S DANCE seeks afflatus from abroad [coincidence?], but in an accomplishment to advertise Gayatri's dances, the actual aspects yield a backseat. The dances appeal, but the adulation adventure doesn't. And the abomination angle, injected in the plotline, is a big bore.
Let's be specific. Gayatri's dances are a amusement [she dances awfully well], but her adulation absorption cuts a apologetic picture. The artery children's affiliation with a cheat aswell seems unwarranted.
In a nutshell, LET'S DANCE will be best remembered for Gayatri's animated dances. That's it!
LET'S DANCE is about a babe who gives administration in activity to a accumulation of artery kids. Young and peppy, she is a ballerina who runs her own ball academy and plays the agitator in the story. She comes in acquaintance with a agglomeration of artery kids and hence, begins a adventure she believes in.
Editor-turned-director Aarif Sheikh has attempt the blur well, but he could've done with a tighter script. Music is a additional point, but what stays with you is the choreography of all songs, abnormally 'Taare Todh Ke La'.
Gayatri Patel is a accomplished extra and her dancing abilities bolt your attention. The two heroes don't cut ice, but the kids do, mainly the earlier kid who talks and behaves like a absolute tapori.
On the whole, LET'S DANCE is too ordinary, with its allotment of limitations. |
